Beatrice’s new post is as a Research Associate at the University of Sheffield, working with Dr Emma Heywood in Journalism Studies on her UKRI GCRF-funded FemmePowermentAfrique project. The project is conducting large-scale qualitative and quantitative research into the impact of radio on women’s empowerment in Niger, Mali and Burkina Faso in collaboration with Fondation Hirondelle, a media development organisation based in Lausanne, Switzerland.
All the very best in the new role, Beatrice, and in the future – we’ve all loved working with you at Stirling.
As well as launching language websites and giving introductions to films, French at Stirling colleagues and students have been up to all sorts of French-related activities over recent weeks. More on some of these will doubtless follow in due course but, by way of a quick overview…
Fiona and Beatrice’s Ivey’s MOOC ‘Remembering Empire’ is coming to the end of its first run with around 350 people registered at the last count. The MOOC will be left open for new participants to join and will remain live until April so it’s not too late to sign up!
Next week will see a fine Stirling contingent giving papers on a wide range of topics at the annual Society for French Postcolonial Studies conference in London. This year’s conference theme is ‘Postcolonial Realms of Memory in the Francophone World.’ Fiona and Beatrice are both giving papers as part of a panel on ‘Memories of Algeria’, along with Susan Ireland of Grinnell College. Fiona’s paper is on ‘Fraternity in French Algeria: (post-)colonial conceptions of republican citizenry’, while Beatrice will be talking about ‘Ahmed Kalouaz, Childhood and Colonial Memory in Ecriture Jeunesse.’ Fraser McQueen is the third member of the Stirling cohort, with his paper on ‘Memories of Empire in France’s Literary Grands Remplacements.’
As often happens as the pace of the semester increases, the blog has taken a bit of a backseat over the past few weeks. However, there are lots of posts building up and lots of news to share about French at Stirling colleagues and students so there will hopefully be a bit of a catch-up over the coming days.
To start with, we’re delighted to announce that, in partnership with French Film Festival UK, Dr Fiona Barclay’s AHRC project at Stirling is hosting a screening of the documentary Libre/To The Four Winds at the MacRobert Arts Centre on campus on Wednesday November 27th. The documentary follows Cédric Herrou, a French farmer arrested for ‘crimes of solidarity’ when he helped people crossing from Italy make their asylum claims on French territory.
Dr Beatrice Ivey will briefly introduce the film with some background and updates on the situation of migrant activism in France today. The film will then be followed by a roundtable discussion with volunteers from Refuweegees and Forth Valley Welcome, two organisations that help refugees in Scotland.
All are welcome to the screening and the discussion that will follow and tickets can be purchased online here or at the MacRobert Box Office. And please do also check out the other French Film Festival films coming to the MacRobert over the next couple of weeks.
As well as catching up with graduates of French at Stirling, it’s good to get the opportunity to find out more about what our current colleagues are up to so we’re particularly pleased to be able to post the following article by Beatrice Ivey, who works with us as a post-doctoral researcher:
In my research role, I have presented at two conferences (Digital Diasporas and the Society for the Study of French History) and am in the process of finishing an article on the circulation of colonial-era postcards online among amateur websites dedicated to ‘pied-noir’ memory and history. On the one hand, I have found a great deal of continuity between the postcards’ original purpose (to advertise the empire to the metropole and abroad) and their contemporary purpose as vectors of colonial nostalgia. On the other hand, I have noticed that these postcards also appear in surprising new contexts, fostering nostalgia that does not necessarily apply to the ‘pieds-noirs’ alone.
As part of my public engagement role, Fiona and I have launched a Massive Open Online Course with Iversity entitled ‘Remembering Empire’. This is a free online course which examines narratives of settler colonialism in Algeria through two differing models of memory: one based on competition, the other based on implication. By studying a mixture of archive footage, artefacts, and extracts from literary and journalistic texts, we think this is a pertinent case study for understanding how empire is remembered and forgotten in Europe today.
The course will launch on 17th October and then again on 21st November, running for 5 weeks each time with each unit lasting about an hour. The course is open for anyone to register, so do check it out here.’
Many thanks to Beatrice for finding the time to send us through this article and we would encourage all blog readers to sign up for what looks like a fantastic online course! And thanks also to the ‘La Mer à Boire’ society and the Redoute Béar Museum in Port-Vendres for their kind permission to reproduce the postcards.
Many of our recent blog posts have centred on the fantastic achievements and activities of our students (past and present) but it occurs to us that it’s a while since we’ve posted an update on what French at Stirling staff are up to so here goes…
Firstly, as regular blog followers will know, we’ve made some new appointments in French at Stirling over the past few months. That has meant saying goodbye to valued colleagues (Bill Marshall at the end of August last year, David Murphy at the end of December) but it has also meant welcoming and getting to know new colleagues. Beatrice Ivey has settled well into her Research Assistantship, working with Fiona Barclay on the AHRC-funded project ‘Narratives and Representations of the French Settlers of Algeria’ (if you haven’t seen it yet, their exhibition is still on in Pathfoot); Emeline Morin is already a semester into her 2-year post with us and doing a brilliant job; Aedín ní Loingsigh joined us halfway through the Autumn semester on a permanent lectureship across French and Translation and is also doing brilliantly; and Hannah Grayson has now also joined us – as of 1 January – on a permanent lectureship and is, of course, settling in really well. Lots of changes – all for the good!
Secondly, many of us will be popping up at a range of conferences and invited talks over the months ahead, starting with Hannah Grayson who will be co-convening a seminar stream on responding to violence in postcolonial African literature at the American Comparative Literature Association at Georgetown University in March. Hannah will then be presenting on Véronique Tadjo (an author whose work she teaches on as part of our Cultures of Travel modules this semester) at the 20th and 21st Century French and Francophone Studies International Colloquium in Oklahoma City. And, when she’s back in the UK, on 3 April, Hannah will be speaking at an evening of remembrance in St Andrews, to commemorate 25 years since the genocide in Rwanda.
Cristina Johnston will be giving a paper on the 20th anniversary of the PaCS legislation at the annual Society for French Studies conference at Royal Holloway in early July, and then a paper on the representation (or lack thereof) of lesbian characters in contemporary French cinema at the MLA International Symposium in Lisbon at the end of July.
Elizabeth Ezra will be giving an invited talk at the University of Tours at the start of April at a conference called ‘On the Ruins and Margins of European Identity in Cinema.’ Her talk is titled ‘Out of Bounds: The Spatial Politics of Civility in The Square (Östlund, 2017) and Happy End (Haneke, 2017).’ Elizabeth also has an article on ethics and social relations coming out in May in the journal Children’s Literature called ‘Becoming Familiar: Witches and Companion Animals in Harry Potter and His Dark Materials.’
Elizabeth also travelled to France in December to examine the PhD thesis of Literature and Language’s PhD student Fanny Lacôte, who has taught on various modules in French at Stirling. The viva was a public event, which attracted a significant audience composed of friends, family, and members of the public and Fanny passed with flying colours so many congratulations to her!
And, finally for the moment, following on from Aedín ní Loingsigh’s successful Erasmus+ teaching exchange at Limoges late last year, we’re currently finalising arrangements to welcome our colleague Joëlle Popineau from our partners at the University of Tours who will spend a week on an Erasmus+ staff mobility with us in early March. We’re very much looking forward to welcoming Joëlle to Stirling in a few weeks.
A Summer of changes for French at Stirling, not only with new cohorts of students coming to join us and our ELAs and Study Abroad students returning, but also on the staffing front. As we’ve mentioned here before, Bill Marshall retires at the end of next month and we are currently advertising for two new lecturers so there’ll be new faces in the teaching team over the months ahead. And, as we’ve also spoken about on the blog, Fiona Barclay – who has been on research leave this past semester – was awarded an AHRC Early Career Researcher Leadership Fellowship so we’re also appointing a fixed-term lecturer to replace Fiona for the next two years. We’re looking forward to introducing you to these yet-to-be-appointed colleagues very soon but, first, we thought it’d be good to get Fiona to tell us a bit about what she’s been up to over these past few months and what lies ahead. And that also gives us an excellent excuse to introduce Dr Beatrice Ivey who was recently appointed to work as a Postdoctoral Research Assistant with Fiona and who we’re very excited to welcome to Stirling!
‘Greetings from the sunny south of France, where I’ve just finished my semester of research leave! Stirling seems very far away but as the semester comes to a close it’s a good time to look back on the last few months and reflect on plans, progress, and the inevitable changes that happen…
I came to France in January with the plan of writing a couple of chapters of the book that I’m working on, using local libraries, and accessing some archives. The book is on the European settlers who came to Algeria following its conquest by the French in 1830. Almost all of them – 900,000 – were forced to leave for France when Algeria became independent in 1962 in one of the biggest population movements since 1945. Since then, a proportion of them have been very vocal in French politics, whilst others have produced a large corpus of literature which records their memories of their homeland and works through their feelings of loss and nostalgia. My project looks at these narratives and representations, and the ways in which the community’s identity is being passed on to the younger generations born in France since 1962.
Plans are often subject to change, and so it was on this occasion. My idea of using the local university library ran into trouble straightaway, when I discovered that, due to a combination of a local strike against university mergers, and the subsequent national blockade of universities, it was closed until further notice. In the end ‘until further notice’ meant nearly 5 months, giving me a new perspective on the UK’s UCU strike action, and a lot of sympathy for local students who were still expected to sit exams. Thankfully Stirling’s electronic library holdings and lending provision has developed a lot in the last few years, so I was able to access most of the texts needed.
The second change to my plans came in February, when I received news that my application to the AHRC’s Leadership Fellows scheme had been successful. The award is £250,000 for a two-year project starting next month and, in addition to the completion of the book, it has a substantial set of public engagement activities, some of which will start early in the project. Consequently, I’ve spent much of the last few months working with colleagues in museums and archives in Paris, Perpignan and Port-Vendres to organise access to images, video testimonies, artefacts and so on. These will feature in a year-long exhibition opening in September at the Pathfoot Gallery in Stirling. I’m also working with colleagues at Stirling to build a new project website, which will feature an interactive map giving access to many of the images, videos and sound-files, as well as links to a free access online course (MOOC) and film season taking place as part of the UK French Film Festival in November 2018.
The project will also have another team member, a Postdoctoral Research Assistant who will work on the project for 15 months. I’m delighted that Dr Beatrice Ivey, who recently completed her PhD at the University of Leeds, will be starting at Stirling on 1 September. She will be leading on many of the digital and online parts of the project, and also co-organising an international conference on forced migration which will take place at Stirling next May. We look forward to welcoming her to Stirling!’
Many thanks to Fiona for this update – news of the exhibition and other events will follow in due course! – and over to Beatrice:
‘I’m joining the ‘From Colonisers to Refugees’ project at the University of Stirling as a Post-Doctoral Research Assistant and, in this role, I’ll be assisting Dr Fiona Barclay with the management of the project website, the organisation of an international conference at Stirling in 2019, research and publication as part of a planned special issue. I will also interview people who have settled in Scotland having fled Syria as refugees for the project’s Digital Cartographies and Storytelling Soundscapes components.
I completed my PhD at the University of Leeds in 2018, examining the gender performativity of cultural memory in writings by Assia Djebar, Hélène Cixous, Ahmed Kalouaz, Malika Mokeddem, and Nina Bouraoui. My thesis, entitled ‘Performing Gender, Performing the Past’ argued that acts of cultural memory also reiterate, and possibly subvert, the gendered imaginaries associated with French colonialism in Algeria. I examined specific cases of gendered memory which produced connections between the memory of French Algeria and other disparate histories of extreme violence, such as the Holocaust, Partition, Slavery in the Caribbean, and the ongoing ‘Border Crisis’ (Daniel Trilling 2017) in the Mediterranean. I have published a chapter ‘Hélène Cixous’s L’Indiade ou l’Inde de leurs rêves: Gendering Memories of Colonialism in Algeria and India’ in the volume French Feminisms 1975 and After(Atack, Fell, Holmes, Long 2018) and an article ‘Affect, Gender, and Postmemory in Nina Bouraoui’s Representations of the 1970s’ in theInternational Journal of Francophone Studies.
My current research focuses on the transnational memory of forced migration in Francophone cultural production from and about the Indian Ocean, the Mediterranean, and the Caribbean.’
Many thanks to Beatrice and Fiona for these posts, and good luck with the project!
The past couple of blog posts have focused on French at Stirling students’ achievements and activities – now it’s time for an update on what staff have been up to and what’s coming up for us over the weeks and months ahead…
Congratulations, firstly, to Fiona Barclay who has just learned that she has been awarded a prestigious AHRC Early Career Researcher Leadership Fellow award which she will hold for 23 months from July 2018 onwards. The award will enable Fiona to work on a major project entitled ‘From colonisers to refugees: narratives and representations of the French settlers of Algeria.’
Back in December, David Murphy was invited to serve on the fiction jury at the 8th Algiers International Film Festival: ‘an intense but fascinating week, watching lots of films and meeting filmmakers, actors and other creative artists from all over the world. There was even time for a visit to the famous Casbah, which will be familiar to students from La Bataille d’Alger. Our special jury prize went to a wonderful Algerian film En attendant les hirondelles by a young Algerian director, Karim Moussaoui. You should be able to catch it in Scotland later this year.’
David is also the main organiser for the Scottish tour of the exhibition ‘Putting People on Display’, a pared-down version of a major exhibition (‘Human Zoos: The Invention of the Savage’) organised by the French colonial history research group, ACHAC, which was held at the Quai Branly Museum in Paris in 2011/12. Three additional posters focusing on the Scottish context have been specially commissioned for this Scottish tour and a longer blog post will follow…
At the end of last year, Cristina Johnston was involved in organising the Stirling-based component of ATLAS’s week-long translation workshops. The workshop brought together a group of translators working between French and English, giving them an opportunity to focus on the translation of a range of articles and chapters under the ‘Translating History’ umbrella and under the expert guidance of Stirling’s Emerita Professor Siân Reynolds (translator, among many other things, of the crime fiction of Fred Vargas) and experienced translator Diane Meur. Workshop participants were also given the opportunity to talk to students on our postgraduate Translation Studies programmes and to visit Stirling’s own Pathfoot Press, courtesy of Kelsey Jackson Williams.
The dossier on ‘Cinema and Childhood’ Cristina coordinated with contributions from a group of Stirling undergraduates (past and present) was also published towards the end of last year in Intellect’s journal of undergraduate film scholarship Film Matters. The dossier contains articles on representations of ‘Orphan Annie’ by Hayley J. Burrell, a comparison of La Vita è bella and The Boy in the Stripded Pyjamas by Floriana Guerra, an examination of children and the destruction of innocence in WWII films by Laura Jones, analysis of ‘children as the uncanny’ in The White Ribbon from Regina Mosch, Ralitsa Shentova’s exploration of girlhood, fairytales and reality through Atonement and Crows, Lewis Urquhart’s essay on ‘concealed childhoods’ in Caché and Conor Syme’s reflections on childhood faith in science fiction. A fantastic set of articles by some impressive future film scholars!
Elizabeth Ezra’s book The Cinema of Things was published by Bloomsbury in early November last year, and her updated chapter on ‘The Cinemising Process: Film-Going in the Silent Era’ is in the 2nd edition of The French Cinema Book just out from the BFI. And, as Elizabeth launches her new option module on Children’s Literature, we’re particularly pleased to be able to sing the praises of her children’s novel Ruby McCracken: Tragic without Magic which was named by The Herald as ‘One of the Nine Best Books for Children and Teenagers’ in its Christmas 2017 round-up. The novel also won the 2016 Kelpies Award for New Scottish Writing for Children.
Bill Marshall – whose ‘Cinéma-Monde’ conference will take place in Stirling at the end of May – was recently invited to the University of Vienna where he gave a talk entitled ‘Quebec Cinema as Global Cinema?’ and, later this month, he will be at UNISA (South Africa) where he will deliver a keynote on ‘Deleuze, Guattari, Hocquenghem: Anti-Oedipal Texts and Minor Cinemas’ as part of their February Lectures on ‘Queer Life in the Global South.’
And our Language Team (Jean-Michel DesJacques, Mathilde Mazau and Brigitte Depret) continue their hard work updating our language programmes, including our new format of oral and aural teaching for final year students which enables them to benefit from weekly 15-minute paired sessions, as well as more standard classroom-based conversation practice.
More to follow on much of the above as the blog continues its revival!
With the teaching term over, staff turn to their research and have more time to attend conferences. Dr Fiona Barclay was speaking at a conference in Leeds last week. Here’s what she has to say about it:
“One of the best things about academic research is how eclectic and varied it can be, and how it offers the chance to investigate the significance of familiar cultural phenomena. For example, many people in the UK and further afield will be familiar with Downton Abbey, and its fictional portrayal of the ups and downs of an upper-class family around the turn of the twentieth century. It’s an example of a family saga, which is a genre often used by writers to examine the changes taking place in the nation, using the fortunes of an often middle- or upper-class family as a way to stand in for the experiences of society more generally. So, in Downton Abbey we see the effects of the First World War on the different classes, and see how the class structure evolves over time; it’s a microcosm of the changing nation. The conference which I attended in Leeds last week focused on portrayals of the family saga in literature, TV and radio, but not just in English: it brought together academics working on texts in French, German, Spanish and even Czech and Japanese. So we heard papers on the great literary family sagas of nineteenth and twentieth-century France, some of them running to 27 volumes, but also on the East German equivalent of Radio 4’s ‘The Archers’ , which told the story of a typical socialist family in the GDR, and TV series on the Mafia such as ‘The Sopranos’ and ‘Gomorrah’.
My own paper looked at the French settlers who lived in Algeria until it became independent in 1962 and they were forced to resettle in France. It looked at novels which recount the tale of four generations, from the earliest settlers in the 1840s onwards, and showed how the writers used the tremendously difficult experiences of the early pioneers, many of whom were soon killed by violent conflict and disease, to justify the privileged existence of their settler descendants, who were very poor but not as poor as the Arabs they lived amongst. But the novels are not solely about justifying the settlers’ treatment of the Arabs: they also suggest that Algeria itself is a family of characters in conflict. By presenting the warring Europeans and Arabs as the ‘brother enemies’ Cain and Abel, and considering whether the act of colonization might be a re-enactment of the original sin of the ‘first man’ (which is the title of the Algerian philosopher Albert Camus’ last novel), these writers use the form of the family saga and draw on Biblical ideas about family inheritance and the ‘sins of the fathers’ to ask difficult questions about colonialism which it would be unthinkable to ask in other contexts. Given the furore which greeted President Emmanuel Macron’s recent suggestion that colonialism was ‘a crime against humanity’, this is one contentious issue which will continue to provoke strong reactions for a long while to come.”
Many thanks to Fiona for sending us this blog post and we look forward to posting more about other research activities over the course of the summer.