As promised, more updates here on what French at Stirling colleagues have been up to since teaching ended in the Spring. And this time, it’s a chance to catch up with what Emeline Morin, Lecturer in French, has been doing, starting with a paper entitled ‘(Un)veiling the sordid: metamorphosis in Marie Darrieussecq’s and Marcela Iacub’s Pig Tales’ that Emeline gave at the University of Glasgow back in May, part of their ‘Glasgow International Fantasy Conversations. Mapping the Mythosphere.’
In June, Emeline was then at the University of Southampton for a one-day conference organised by the ‘South, West, and Wales Gender Cluster.’ The conference was called ‘Marginalised Networks: Locating Queer and Gendered (Trans)national Connections’ and Emeline’s paper was called ‘Bridegroom tales and forced marriages: Francophone and Anglophone feminist fairy tales through time.’ And in August, Emeline went to Durham University for the ‘Consent: Histories, Representations, and Frameworks for the Future’ conference where she gave a paper entitled ‘Sexuality, Marriage, and Consent in Fairy Tales: the Value of Rewriting Stories’ that examined issues of consent in tales such as ‘The Sleeping Beauty’.
Finally, on the conference front, just last week (and evidence of the many and varied directions French and Francophone Studies can take you in!) Emeline spoke at the Royal Geography Society-IBG Annual International Conference in London, co-delivering a paper that she’d co-written with her friend and colleague Dr. Rachel Hunt (a lecturer in geo-humanities at Edinburgh Uni). The paper was called ‘The Bothy: a Scottish mythopoeia,’ and they discussed how cultural myths around Scotland impact real landscape and places such as bothies.
As we move closer and closer to the start of term, there’ll be more updates and news about all things French and Francophone at Stirling. In the meantime, we just wanted to let you know about a few new publications and conference papers written by some of our current and former postgrads and colleagues.
And our current PhD student Fraser McQueen gave a paper at the Society for French Studies annual conference at Royal Holloway in July entitled ‘Muslim is French: Zahwa Djennad’s Tabou. Confession d’un jeune de banlieue (2013).’ Fraser will be conferencing again later this week, at the Association for the Study of Modern and Contemporary France in Paris, where he’ll be speaking about ‘Transnational Paris and Peripheral France in Michel Houellebecq’s Sérotonine.’
And finally, for the moment, our former colleague, Bill Marshall, has a chapter on Xavier Dolan’s films out in ReFocus: The Films of Xavier Dolan, a new collection focusing on Dolan, edited by Andrée Lafontaine. The chapter was previously published in Nottingham French Studies. Bill’s chapter on ‘Quebec Cinema as Global Cinema’ was also published earlier this year in Janine Marchessault and Will Straw’s Oxford Handbook of Canadian Cinema.
Although he retired a couple of months ago, we’re delighted to see that our former colleague Bill Marshall is keeping himself busy with a new piece about works by Copi (entitled ‘Ne pas s’asseoir’) that forms part of French sociologist and historian Antoine Idier’s ground-breaking work on 130 years of LGBT+ history in France. More about the project here and here!
A Summer of changes for French at Stirling, not only with new cohorts of students coming to join us and our ELAs and Study Abroad students returning, but also on the staffing front. As we’ve mentioned here before, Bill Marshall retires at the end of next month and we are currently advertising for two new lecturers so there’ll be new faces in the teaching team over the months ahead. And, as we’ve also spoken about on the blog, Fiona Barclay – who has been on research leave this past semester – was awarded an AHRC Early Career Researcher Leadership Fellowship so we’re also appointing a fixed-term lecturer to replace Fiona for the next two years. We’re looking forward to introducing you to these yet-to-be-appointed colleagues very soon but, first, we thought it’d be good to get Fiona to tell us a bit about what she’s been up to over these past few months and what lies ahead. And that also gives us an excellent excuse to introduce Dr Beatrice Ivey who was recently appointed to work as a Postdoctoral Research Assistant with Fiona and who we’re very excited to welcome to Stirling!
‘Greetings from the sunny south of France, where I’ve just finished my semester of research leave! Stirling seems very far away but as the semester comes to a close it’s a good time to look back on the last few months and reflect on plans, progress, and the inevitable changes that happen…
I came to France in January with the plan of writing a couple of chapters of the book that I’m working on, using local libraries, and accessing some archives. The book is on the European settlers who came to Algeria following its conquest by the French in 1830. Almost all of them – 900,000 – were forced to leave for France when Algeria became independent in 1962 in one of the biggest population movements since 1945. Since then, a proportion of them have been very vocal in French politics, whilst others have produced a large corpus of literature which records their memories of their homeland and works through their feelings of loss and nostalgia. My project looks at these narratives and representations, and the ways in which the community’s identity is being passed on to the younger generations born in France since 1962.
Plans are often subject to change, and so it was on this occasion. My idea of using the local university library ran into trouble straightaway, when I discovered that, due to a combination of a local strike against university mergers, and the subsequent national blockade of universities, it was closed until further notice. In the end ‘until further notice’ meant nearly 5 months, giving me a new perspective on the UK’s UCU strike action, and a lot of sympathy for local students who were still expected to sit exams. Thankfully Stirling’s electronic library holdings and lending provision has developed a lot in the last few years, so I was able to access most of the texts needed.
The second change to my plans came in February, when I received news that my application to the AHRC’s Leadership Fellows scheme had been successful. The award is £250,000 for a two-year project starting next month and, in addition to the completion of the book, it has a substantial set of public engagement activities, some of which will start early in the project. Consequently, I’ve spent much of the last few months working with colleagues in museums and archives in Paris, Perpignan and Port-Vendres to organise access to images, video testimonies, artefacts and so on. These will feature in a year-long exhibition opening in September at the Pathfoot Gallery in Stirling. I’m also working with colleagues at Stirling to build a new project website, which will feature an interactive map giving access to many of the images, videos and sound-files, as well as links to a free access online course (MOOC) and film season taking place as part of the UK French Film Festival in November 2018.
The project will also have another team member, a Postdoctoral Research Assistant who will work on the project for 15 months. I’m delighted that Dr Beatrice Ivey, who recently completed her PhD at the University of Leeds, will be starting at Stirling on 1 September. She will be leading on many of the digital and online parts of the project, and also co-organising an international conference on forced migration which will take place at Stirling next May. We look forward to welcoming her to Stirling!’
Many thanks to Fiona for this update – news of the exhibition and other events will follow in due course! – and over to Beatrice:
‘I’m joining the ‘From Colonisers to Refugees’ project at the University of Stirling as a Post-Doctoral Research Assistant and, in this role, I’ll be assisting Dr Fiona Barclay with the management of the project website, the organisation of an international conference at Stirling in 2019, research and publication as part of a planned special issue. I will also interview people who have settled in Scotland having fled Syria as refugees for the project’s Digital Cartographies and Storytelling Soundscapes components.
I completed my PhD at the University of Leeds in 2018, examining the gender performativity of cultural memory in writings by Assia Djebar, Hélène Cixous, Ahmed Kalouaz, Malika Mokeddem, and Nina Bouraoui. My thesis, entitled ‘Performing Gender, Performing the Past’ argued that acts of cultural memory also reiterate, and possibly subvert, the gendered imaginaries associated with French colonialism in Algeria. I examined specific cases of gendered memory which produced connections between the memory of French Algeria and other disparate histories of extreme violence, such as the Holocaust, Partition, Slavery in the Caribbean, and the ongoing ‘Border Crisis’ (Daniel Trilling 2017) in the Mediterranean. I have published a chapter ‘Hélène Cixous’s L’Indiade ou l’Inde de leurs rêves: Gendering Memories of Colonialism in Algeria and India’ in the volume French Feminisms 1975 and After(Atack, Fell, Holmes, Long 2018) and an article ‘Affect, Gender, and Postmemory in Nina Bouraoui’s Representations of the 1970s’ in theInternational Journal of Francophone Studies.
My current research focuses on the transnational memory of forced migration in Francophone cultural production from and about the Indian Ocean, the Mediterranean, and the Caribbean.’
Many thanks to Beatrice and Fiona for these posts, and good luck with the project!
If I’m quick, this might even go up on the blog before Bill Marshall’s Cinéma-Monde conference on ‘Film, Borders, Translation’ that starts this evening with a screening at the MacRobert of Chloé Leriche’s 2016 film Avant les rues. The conference continues over the next couple of days, with participants from across the UK, North America and Australia, and papers from three French at Stirling colleagues. David Murphy will be talking about ‘Filming the First World Festival of Negro Arts, Dakar 1966’, Elizabeth Ezra will give a paper entitled ‘TransFormations: Cinema’s Uncanny Origins’ and, as for me (Cristina Johnston), I’ll be talking about the ‘ruptures, cooperation and paradoxes’ of Franco-Iranian cinema.
It’s a busy time for conference over the next week or so, as Stirling is also running its annual Arts and Humanities postgraduate conference tomorrow on ‘Arts and Humanities Research Through a Gender Lens’ and our own French at Stirling PhD student, Fraser McQueen, will be there, talking about ‘Islamophobia as a gendered phenomenon in French radicalisation cinema.’ And then, next week, Fraser is off to the University of Birmingham for the SFPS Postgraduate Study Day where he’ll deliver a paper entitled ‘Borders between us and them in female radicalisation fiction.’
Congratulations to our Semester Abroad partner Sciences Po (Paris) who have recently been named by UN Women as one of 10 universities to support the HeforShe gender equality campaign. We’re looking forward to continuing our well-established exchange partnership and to sending more of our students to Paris in Spring 2016.
Jamal Bahmad, one of our PhD students, recently organised a Postgraduate Study Day at Stirling, examining the location of Islam in Francophone Cultures from a range of different perspectives. Here’s his report on the day’s events:
SFPS Postgraduate Study Day
“Allah n’est pas obligé: The Location of Islam in Francophone Cultures”
The 2013 postgraduate study day of the Society for Francophone Postcolonial Studies took place at the University of Stirling on 20 June. The event was co-sponsored by the host institution. Doctoral and postdoctoral researchers from four continents came together to debate the location of Islam in Francophone cultures. The choice of theme was motivated by the insufficient amount of scholarship on Islam in Francophone postcolonial studies. Rigorous scholarship on the location of Islam in the French-speaking world, past and present, is susceptible of yielding novel ways of seeing in Francophone postcolonial cultural studies. The study day was also motivated by the belief that young researchers in the field are best positioned and stand to gain a great deal from paying critical attention to Francophone Islam in an increasingly interconnected world.
Divided into three panels, a publishing workshop and a keynote address, the study day examined the history and current trends in the cultural representations of Islam around the Francophone world. Under the heading ‘Screening Islam’, the first panel addressed the location of this faith system as an everyday practice and political ideology in the production and reception of North African cinema. In her paper, Stefanie Van de Peer (University of St Andrews) explored the politics of laïcité in the often controversial reception of Nadia El Fani’s documentary films. The next speaker, Rym Ouartsi (King’s College London), presented a critical account of the polemical reception of Laila Marrakchi’s Marock (2005) in her native Morocco. The feature film was panned by the Islamists and defended by the secular forces in a polarised public sphere. Finally, Jamal Bahmad (University of Stirling) provided a contrapuntal analysis of Islam in Marock. Through a close reading of the structuring absence of the urban poor in this accented autoethnography of Casablanca’s French-speaking upper class, he unveiled the spectral role of radical Islam in subverting Marrakchi’s project of granting postcolonial agency to her suburban characters.
The second panel looked at Islam in Francophone Europe through two papers by Amina Easat-Daas (Aston University) and Chloé Gill-Khan (University of South Australia). The first speaker examined some methodological questions in her current research project on political participation amongst second-generation Muslim women in France and Francophone Belgium. Gill-Khan’s paper explored how Islam has emerged as a critical paradigm in the literary and cinematic articulations of North African identities in France since the 1980s.
The last panel comprised three papers with a shared focus on Western literary and historical representations of Islam and the Muslim world since the eighteenth century. In the first paper, Mauro Di Lullo (University of Stirling) looked at violence and terror in Jean Genet’s encounter with the Muslim world. The next speaker, Kirsty Bennett (University of Sussex), examined Isabelle Eberhardt’s invention of her Islamic identity in opposition to French colonial power in Algeria. Lastly, Karima Lahrach-Maynard (New York University) delivered a comparative reading of the representations of Islam in France during the crusades of Saint Louis and the Egypt Expedition of Napoleon Bonaparte.
David Murphy (University of Stirling) led a publishing workshop with a focus on the implications of recent developments in academic publishing for young researchers in Francophone postcolonial studies. He offered practical advice to an audience of postgraduate and early-career researchers on how to survive and prosper in a rapidly changing job environment. Getting published enough in the right places at the right time are essential survival skills to find a (stable) job and get established as an academic.
The study day concluded with a keynote address by Phil Dine (National University of Ireland, Galway). It was a very incisive and original survey of the place of Islam in the evolution of colonial and postcolonial discourses and societies in North Africa and metropolitan France. He spoke to key historical periods and seminal colonial and postcolonial texts across a variety of genres and fields. Dr. Dine considered their accumulative contribution to shaping North African subjectivity in its diversity and worldliness from pre-colonial times to the ‘Arab Spring’ protests.