As regular blog readers know, the annual Africa in Motion film festival was founded in 2006 by Lizelle Bisschoff, who was at the time a PhD student in the then School of Languages, Cultures and Religions at the University of Stirling, whose research project was supervised by David Murphy. 13 years on, Lizelle is now Senior Lecturer in Theatre, Film and TV Studies at the University of Glasgow, David is Professor of French at Strathclyde University, the School of Languages, Cultures and Religions is part of Stirling’s Division of Literature and Languages and Africa in Motion is still going strong with Justine Atkinson as the Festival Producer.
The festival has just released its programme for the 2019 edition which will run from 25 October to 3 November, with screenings and a wide range of other events in Glasgow and Edinburgh. The Division of Literature and Languages is particularly pleased to be the joint sponsor this year of the screening of Lost Warrior, a Somali-Danish coproduction being shown at the Edinburgh Filmhouse on 26 October. You can access the full programme of events via Africa in Motion’s website here. So much to choose from!
It’s that time of year again! Founded by our former PhD student, Lizelle Bisschoff, and now into its 11th year, the annual Africa in Motion film festival has just launched its 2016 programme. Details here and, as ever, a fantastic array of films from every genre imaginable, as well as Q&A sessions with leading figures from African cinema, workshops, exhibitions and much more! Events in Glasgow and Edinburgh from 28 October to 6 November.
Congratulations to French at Stirling’s David Murphy on the publication of his new book, The First World Festival of Negro Arts Dakar 1966 which came out last week! The book is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the ‘festivalization’ of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.
David is also involved in a number of events to mark the 50th anniversary of the festival over the coming months, including talks at this year’s Africa in Motion festival, documentary film screenings in Liverpool at the International Slavery Museum and a speech at a conference in Dakar in November. More to follow on all of these in due course.
Anyone with an interest in French postcolonial studies or African arts festivals (and Senegal in particular) should have a look at David Murphy’s new article, published by The Conversation: ‘The first black arts festival was shaped by Cold War politics.’