Tag: British Academy

British Academy-funded workshop coming up at Stirling

French at Stirling’s Bill Marshall is organizing a day-long British Academy-funded workshop on the ‘Uses of Prehistory’ at Stirling on Saturday 3 June. This bilingual workshop will examine the ways in which prehistory, notably the Upper Palaeolithic period including its cave art, has entered debates in modern and contemporary France concerning aesthetics, fiction, politics and philosophy. The event is free, including a sandwich lunch, but registration is essential by Tuesday 30 May. Please contact Bill Marshall: w.j.marshall@stir.ac.uk if you wish to attend. The programme for the day is as follows:

 

10.30 TEA & COFFEE

10.45 Welcome remarks; Bill Marshall (University of Stirling): ‘Prehistory and Transnational French Studies’

11.30 Marc Azéma (Université de Toulouse-Le Mirail) : ‘La Préhistoire du cinéma’

12.15 Jo Malt (King’s College London): ‘La Main négative, limit-case and primal scene of art’

13.00 LUNCH

14.00 Douglas Smith (University College Dublin): ‘The Great Prehistoric Art Scandal: André Breton and Raymond Queneau on Cave Painting’

14.45 Mary Orr (University of St Andrews): ‘Questions of Adaptation: Rethinking Intermedial Uses of Prehistory in Nineteenth-Century France’

15.30 TEA & COFFEE

16.00 Michèle Richman (University of Pennsylvania): ‘Georges Bataille’s Prehistoric Modernism: A Universal History for the 21st century’

16.45 Conversation with Margaret Elphinstone, whose novel The Gathering Night (2009) is set in mesolithic Scotland.

17.30 Workshop ends

Looking forward to an account of the workshop in due course!

2017 Bill Touma First Biped May
Touma, the first biped; Musée national de la Préhistoire, Les Eyzies de Tayac
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Stirling PhD student success

Excellent news from our former French at Stirling PhD student, Jamal Bahmad, who graduated last year. Jamal went straight into a post as a Research Fellow at the University of Marburg after completing his PhD and from there has now taken up a British Academy Postdoctoral Fellowship at the University of Leeds, working on ‘Beyond the Arab Spring: Youth, Social Change and the Politics of Realism in Contemporary Maghrebi Cinema.’

As if all that wasn’t good news enough, we’ve also just heard that his PhD thesis (Casablanca belongs to Us: globalisation, everyday life and postcolonial subjectivity in Moroccan cinema since the 1990s), supervised by Prof. David Murphy, was the joint winner of the 2015 BRISMES Leigh Douglas Memorial Prize for the best PhD dissertation on a Middle Eastern topic. For the judging panel, Jamal’s analysis ‘is underpinned by a lively engagement with social theory that provides the basis for a fine-grained and richly sourced body of cinematographic evidence. This results in one of the richest and most deep-rooted interpretations of the currents of power, resistance and self-understanding in Morocco that are presently available. A real tour de force.’

Congratulations, Jamal, and we look forward to reporting on further successes over the coming months and years!